This is the ARTINFO weekly mixtape, a new semi-regular column where we pick our favorite songs we want to share. What tracks have been running through our iPod all week? What random song will get a million plays on Spotify when we’re in the office? Here are our choices this week. Share comments and suggestions below. We’d love to hear what you’ve been listening to.
SPOTLIGHT: Sweeping Culture Daily
Archive for the ‘Music’ Category
As you may be aware, Pussy Riot is at the Winter Olympics. Since they’ve been in Sochi, where they’ve attempted to “carry out Pussy Riot action” in the Olympic Village, they’ve been detained and beaten with whips by the local militia. At a press conference yesterday, held in the street after the hotel that originally agreed to host cancelled the event due to “plumbing problems,” Pussy Riot showed their new video. “Putin Will Teach You to Love the Motherland,” shot in Sochi, features footage from the trip as well as repeated abuse against the group from authorities. Watch below:
A new song from Steve McBean is cause for celebration. “North Hollywood Microwaves,” which you can listen to below, is a new song from McBean’s Pink Mountaintops project. The group, which originally featured a lineup consisting of members of McBean’s other band, heavy psych-rock outfit Black Mountain, has had a constantly rotating cast of characters ever since — members of Godspeed You! Black Emperor, The Warlocks, and more have been part of the band at some point. “North Hollywood” is the first single off the new Pink Mountaintops album, “Get Back,” which is set to be released on April 29 via Jagjaguwar. The track, which features sleazy saxophone lines (think Iggy & The Stooges‘ “Fun House”) wrapped around a fuzzy guitar attack, boasts a guest appearance from Annie Hardy of Giant Drag, who raps at the end of track. Yep, you read that right.
TUNE: Breaking news! An all-female rock group can in fact come from Los Angeles and not sound like a regurgitated sprint of sunny 80’s melodies and overworked harmonies. It happens, and it’s unfolding right now with the four piece band Warpaint. Though “Hi” finds itself in excellent company of a nearly flawless (not yet released) 12 song LP, this track feels like a swift stumble into an alternate universe with its multilayered craftsmanship and rich, rich musicality. A choir of drum machines? Check. Ambient reverb? Oh yes. Vocals that reel you into a sort of hypnosis right up until the clash of the cymbals? Absolutely. In its five minutes, “Hi” feels like you’ve heard at least four different songs churned into a gorgeous haze, the kind of mess you’ll return to because you’ll uncover something new each time.
TUNE: So far, the New Jersey bred Real Estate has spent 2014 counting down to the reveal of their latest single. For the last two weeks, the band’s been releasing snippets of album art and 16 second song samples across Facebook and Instagram. Last night at midnight, “Talking Backwards” finally dropped. At first, the song seems to be made up of overtly familiar Real Estate fabric, all pillowy vocals and dazed guitars, but as it plays out, something begins to feel a bit off-kilter. The sound is still significantly surfy, but the message is not. “Talking Backwards” speaks to growing frustrations and dreamy uneasiness, like climbing down a ladder of memory (and melody).
“Too True,” the new album from Dum Dum Girls, is coming out January 29 via Sub Pop Records. What started as the solo bedroom project of Dee Dee Penny has become something much larger and focused, the sound expanding from the lo-fi 60’s pop-influenced early recordings to the more robust recent material. Take, for example, the excellent “Rimbaud Eyes,” which, aside from a great title and influence of Kim Carnes’ “Bette Davis Eyes,” sounds like a lost Patti Smith b-side from the “Radio Ethiopia” era or late-period Jesus & Mary Chain. Very excited for the new album. Listen to the song below.
Here’s one of the weirder news items of the day: “Wolf of Wall Street” actors Leonardo DiCaprio and Jonah Hill are collaborating with Tribe Called Quest rapper Q-Tip on a television series that will focus on the Native Tongues-era of hip-hop. For those who have no clue what means, a history lesson: Native Tongues was a loose grouping of “conscious” rappers (Tribe, De La Soul, Queen Latifah, Jungle Brothers, among others) that, in the early 1990’s, bucked the oncoming trend of explicit rap. Most of these groups stressed positivity, mocked the overt seriousness of gangster rap, and were associated with the Zulu Nation. According to the report, the series “will reflect on the stories of their friendship and how their music played a part in culture then and influenced the music of today.” DiCaprio and Hill will act as producers, but since we know Leo is a fan of clubs, is it too much to ask him to make an appearance? (more…)
Have you heard of Michael Yonkers? No? Well, we’ll forgive you for the gaping whole in your musical knowledge. It’s not like his records have been easy to find. “Microminiature Love,” the first record by the Michael Yonkers Band, was recorded in 1968 but only found wide release when it was reissued by Sub Pop Records in 2003. By this time, it had achieved a cult following among record collectors and musicologists, and a myth around Yonkers had spread. Reportdly, he had become so disenfranchised by the music industry (he had a deal with Sire Records that went south), and the simmering political turmoil of the late 60’s, that he had retreated to his parents’ basement. There, he bagan experimenting with tape loops and electronic instruments.During this time, he released a number of albums, many of them extremely rare, where explored religious songs and country music. A whole body of work was happening in the shadows of the music industry, and now we are finally getting to hear it all, decades after it was made. Drag City will soon reissue two of his records—”Michael Lee Yonkers” (1972) and “Borders of My Mind” (1973)—so now’s your chance to the multidemonsial and psychedelic world of Yonkers, a true music legend. Listen to “Borders of My Mind,” off the record of the same name, below.
Common, who’s recently been spending his time acting on AMC’s “Hell on Wheels,” is back to making music, thankfully. The rapper has a new album, “Nobody Smiling,” which is reportedly a concept album about the violence in his hometown of Chicago. “It happens in Chicago, but it’s going on around the world in many ways, in inner cities all over America,” Common said. “We were talking about the conditions of what was happening when I said Nobody Smiling, but it’s really a call to action.” (more…)
Annie Clark, better known to music fans as St. Vincent, has a new album out in February. The self-titled collection is produced by John Congleton, who has worked with Clark in the past, including 2012’s David Byrne-collaboration “Love This Giant.” Today, she unleashed a sample: “Digital Witness,” a crunchy, stomping rhythmic assault. The track features Dap-Kings drummer Homer Steinweiss and Midlake’s McKenzie Smith on percussion. The accompying artwork, which you can see in the Youtube clip below, appears to be visually influnced by Alejandro Jodorowsky’s “The Holy Mountain.” Listen below.