Lewis Baltz, El Monte, 1970. From the exhibition “Lewis Baltz: Prototypes/Ronde de Nuit” at the National Gallery of Art and the book “Lewis Baltz: Prototypes” published by the Art Institute of Chicago and Steidl. Collection of the Smithsonian American Art Museum.
Barnett Newman, The Promise, 1949. Collection of the Whitney Museum of American Art.
Previously: MAN reviews Baltz at the NGA + the related publication from the Art Institute of Chicago and Steidl: In part one, I discussed Baltz and landscape. In part two, I discussed Baltz and his riffs on painting.