The Museum of Modern Art’s extraordinary “Matisse: Radical Invention, 1913-1917” is not your garden-variety Matisse exhibition. It contains few signs of the artist who said a painting should be the equivalent of a soothing armchair. By the end of this show you may wonder if that Matisse ever really existed, despite his much-quoted, overinterpreted words to that effect.
Smith leaves the quote alone after that. Here’s my deconstruction of why Matisse’s words are usually misread.