MOCA’s 2015/2016 exhibition schedule is a return to real art for real art audiences. A Matthew Barney exhibition, focused on his new RIVER OF FUNDAMENT project, might be considered the flashiest attraction. Shows of William Pope.L, Elaine Sturtevant, and R.H. Quaytman ought to establish MOCA as the artist’s artist museum. (At top, Quaytman’s Point de Gaze, Chapter 23, 2011.)
Not in the mix: the Magdalena Fernandez exhibition that MOCA had scheduled and rescheduled. There’s no budget-busting Jeff Koons, no disco, no Devo.
There is Kendrick Lamar, sort of. MOCA will present Kahlil Joseph’s m.A.A.d, a two-screen hip-hop Fantasia scored to Lamar’s beats (a still at left). True believers in the Deitchian fusion of art and fashion can look forward to Bernhard Willhelm and Jutta Kraus’ “sculptural installation with a fashion sensibility” at MOCA Pacific Design Center.
Has there ever been an major museum’s exhibition schedule not worthy of Guerrilla Girls shaming? MOCA 2015/6 might merit a pass. Of the four single-artist and multiple-object shows, two involve women, and one an African-American. There are no Latinas, but Magdalena Fernandez must have been on the bubble? The L.A. Times reports that exhibitions of Kerry James Marshall and Zoe Leonard are planned for 2017.
The elephant in the calendar is a one-year permanent collection install that will occupy the entire Grand Avenue building from fall 2015 to fall 2016. That must have been motivated by the Deitch-Vergne hairpin turn and a renewed commitment to fiscal discipline. The year-long event will lay out Chief Curator Helen Molesworth’s take on MOCA’s historic collection and its newest art. Above is an untitled Lari Pittman, gift of Peter Morton.
MOCA’s permanent collection display will coincide with the opening of the Broad. Roughly this time next year Grand Avenue will highlight the contemporary wing of the “Greater Museum of Los Angeles”—that museum with too many walls.