You must have heard that Alice Könitz’s nano-alternative space-decorated shed, the Los Angeles Museum of Art, has won the Hammer’s 2014 Mohn Award. You may be less clear on which of at least three LAMOA avatars is the real thing.
Structurally LAMOA is a 13-foot-long wood framework with corrugated metal roof. That structure (at left) is currently in Pasadena, at the Armory Center for the Arts, in “The Fifth Wall: Tom Friedman, Evan Holloway, Farrah Karapetian, Alice Könitz, Marco Rios, Corinna Schnitt, Artur Żmijewski” (through Dec. 14).
Normally LAMOA is parked outside Könitz’s Eagle Rock studio and filled with minivan-size installations by other artists. Below is LAMOA in situ, with the 2013 installation of Stephanie Taylor’s Three Samoan Proverbs. (Just don’t try to visit now. More attentive readers of the previous paragraph will have noticed that LAMOA is now in Pasadena.)
What is the Hammer Museum showing then? It’s a set of modules that Könitz created for “Made in L.A. 2014″ (top of post, through Sept. 7). They are sized to fit the LAMOA framework and are installed with other artists’ works, chosen by Könitz. The Hammer website wryly compares its presentation of LAMOA to “the precedent of other touring museum collections, such as the Musée d’Orsay and the Barnes Foundation. Typically such exchanges between museums create institutional goodwill and benefit the organizing institution with an additional stream of income while attracting large audiences for the hosting institution.”
Further disambiguation: The Los Angeles Museum of Art is not to be confused with the Los Angeles County Museum of Art; the Los Angeles Museum of Contemporary Art (a misnomer that occasionally turns up in New York media); Los Angeles County Museum on Fire (this one or the real one); nor the Los Angeles County Fire Museum (in Bellflower, chronicling the history of local fire-fighting).