The Good News: MOCA has a hit with “Art in the Streets.” Opening day lines stretched the length of the Geffen Contemporary. The crowd had noticeably more children, teens, Latins, and blacks than usual.
The Better News: “Art in the Streets” amply deserves its popularity (post to follow).
The Scary News: Deitch is now all-powerful, raising risk of a James Franco show from “Guarded” to “Elevated.”
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