I’ll admit to some ambivalence about turning our attention to this matter, especially since it’s no longer breaking news. Yet here goes:
By now you may be aware of a “Daily Shouts” column at The New Yorker magazine’s website, posted last Thursday under the title “Sonny Rollins: In His Own Words,” and bylined to Django Gold, who is a senior writer at the news-satire outlet, The Onion.
In 11 brief paragraphs, the celebrated 83-year-old tenor saxophonist made confessions such as these:
I really don’t know why I keep doing this. Inertia, I guess. Once you get stuck in a rut, it’s difficult to pull yourself out, even if you hate every minute of it. Maybe I’m just a coward.
I released fifty-odd albums, wrote hundreds of songs, and played on God knows how many session dates. Some of my recordings are in the Library of Congress. That’s idiotic. They ought to burn that building to the ground. I hate music. I wasted my life.
Only these weren’t Rollins’ words. They were Gold’s.
New Yorker readers might not have known this, since the website made no mention of the fact that Gold made the stuff up in a now-apparent effort to by funny. I happened to be in Maine, with little access to the internet or even cell service when I caught wind of all this. At the time, I’d read only the first three paragraphs on my phone, which ended like this:
Jazz might be the stupidest thing anyone ever came up with. The band starts a song, but then everything falls apart and the musicians just play whatever they want for as long they can stand it. People take turns noodling around, and once they run out of ideas and have to stop, the audience claps. I’m getting angry just thinking about it.
I’d considered the idea that this really was Rollins, and that once I had a chance to read on, the text would pay off. After all, Rollins has a playful sense of humor; his statements sometimes do begin with a dodge, followed by a weave, only to make his point stronger (same is true of some of his wondrous extended tenor-saxophone solos).
But once I read the whole column, nothing like that happened. No dodge, no weave, no payoff. Just more of the same: flat, foolish, and obviously not Rollins.
I knew so, but many who were drawn to the New Yorker site by this promotional Twitter feed from the magazine might not have been so clear.
A wave of online confusion followed. Facebook posts, tweets, and online posts wondered: Was this Rollins speaking? Was he misquoted and taken wildly out of context? Who is Django Gold, and did he ever actually meet Rollins? If it was a gag, was Rollins in on it? What did Rollins think? Continue Reading