Phillips’ rocking $14.2 million “The Collector: Icons of Design” auction on Tuesday evening was led by Isamu Noguchi’s spectacular and rare “The Goodyear Table, for A. Conger Goodyear” from 1939 that sold to an anonymous telephone bidder for a record $4,450,500. New York dealer Christophe van de Weghe was the underbidder.
In the Air – Art News & Gossip
Archive for the ‘Market’ Category
Though Art Basel in Miami Beach just opened its preview this morning, Paris gallery Tornabuoni Art has already made some noteworthy sales. “We’ve sold two works by Paolo Scheggi, one of which sold for more than the previous world record (608,000 Euros) set by the Dorotheum Galerie, Vienna in May 2014, (Zone riflesse, 1965),” said gallery founder Michele Casamonti in an e-mail. A large painting by Agostino Bonalumi titled “Blu,” 1972 (pictured below), was also purchased, and an additional Scheggi work was reserved.
Just 10 days after Sotheby’s CEO William Ruprecht resigned, Christie’s head Steven Murphy took the auction community by surprise with the announcement that he too will step down by the end of this year. After four years on the job, Murphy cedes his post to Christie’s Chairman Patricia Barbizet. ”When Mr. Pinault and Madame Barbizet brought me into Christie’s, I was tasked with helping to modernise the company and enable it to grow in the new world in which we operate, while maintaining its extraordinary spirit and culture, and consistently focusing on the art itself. We have now successfully concluded an ambitious three year plan and the company is in the strongest leadership position in its history,” Murphy said in a statement. “Over this period [Murphy's tenure] the company ventured into new markets in India and China, launched successful online auction sales and positioned itself at the forefront of the digital transformation in the art market,” Barbizet added. “Having completed this core work, the company is positioned for its next phase of development and I look forward to leading the global team into a new chapter of innovation and excellence as we take Christie’s to the next level.”
Earlier today at Sotheby’s New York’s American Art auction, a Georgia O’Keeffe painting titled “Jimson Weed/White Flower No. 1″ sold for $44.4 million, a sum more than three times the standing record for a work by a female artist. (That distinction was previously held by Joan Mitchell’s “Untitled,” which garnered $11.9 million at Christie’s New York this past May.) Plus, this price is more than seven times that of highest paid for an O’Keeffe painting at auction prior — that is, $6.2 million at Christie’s New York in May of 2001. This sale is not without some controversy, however: The painting, along with two additional O’Keeffe works included in the auction, comes courtesy of Santa Fe’s Georgia O’Keeffe Museum, which announced in September plans to sell off several works — a risky move amid all of the harsh criticism following deaccessions from the Delaware Art Museum and the Maier Museum of Art. At the time, the New York Times reported that “Jimson Weed” was estimated at around $10 to 15 million, already a substantial jump from its 1994 price of $1 million; here’s hoping the surprise profit boon will save the museum from having to part with any additional works.
Alexi Fung is the new managing director of the Bonhams Hong Kong branch, a post he will take up immediately at the auction house’s new One Pacific Place salesroom. With a focus on Asian 20th century & contemporary art, Fung has previously worked at auction houses in Hong Kong and Japan.
Set to sell in Wynwood for the third year in a row, the Miami Project has just announced its 2014 exhibitors. Running from December 2 through 7, the fair will host 68 participants just down the block from Art Miami.
There’s nothing quite like biting the hand of the 1 percent that feeds you. As part of Frieze London’s Live programming roster, the collective Shanzhai Biennial has erected a bright red, faux-salesroom off to the side of the fair’s main entrance hallway. Inside, depressed-but-sexy-looking models mug for promotional posters hawking an exclusive, £32,000,000 London property; a video tour of the luxury digs achieves strange pathos thanks to its soundtrack (a version of Sinéad O’Connor’s “Nothing Compares 2U.”) Wall text touts the amenities available, including “Staff Bedroom with EnSuite,” a “Panic Room,” and a “Leisure Room.” Critical stunts like this don’t always play too well at art fairs — case in point, Christian Jankowski’s yacht at Frieze back in 2011 — but Shanzhai Biennial nail the aesthetic of actual real estate pitchmen, and somehow manage to underscore the sad desperation underlying endless acquisition.
This morning, Volta NY announced that it would move to Pier 90 for next year’s fair. Located directly beside the Armory Show’s home at Piers 92 and 94, the new site has just been renovated and offers 75,000 square feet of space for 90 exhibitors. Known as the Armory’s sister fair, Volta will run March 5 to March 8.
Frieze’s VIP preview isn’t over yet, but we already know who will be winning the Instagram war in Regent’s Park: New York-based artist KAWS, whose massive wooden mopester, “Small Lie,” is presented by Galerie Perrotin as part of the fair’s sculpture park.