Rashaad Newsome (rashaadnewsome) captured a video of protestors taking to the New York City streets following the grand jury’s failure to indict Darren Wilson — “No justice, no peace, no racist police!” (sounds like he also contributes an affirming “woo!”) — as did Klaus Biesenbach (klausbiesenbach), while Awol Erizku (awolerizku) posted the above photograph.
In the Air – Art News & Gossip
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Collector Stefan Simchowitz (stefansimchowitz) posted this shot of model Emily Ratajkowski (of “Blurred Lines” fame), who was apparently pouting because she couldn’t keep this Zachary Armstrong piece — or at least, that’s how we’ve chosen to interpret the caption, “This is what happens when you can’t get something you realy [sic] want,” lest we realize this “wanting” isn’t necessarily directed toward the artwork at all. Armstrong (z___a), meanwhile, regrammed with the caption “#careerpeaked.”
Those of us passionate about 90s Britpop know all too well the “Blur vs. Oasis” debate, and especially how unflinchingly diehard its participants tend to get. Recently, however, one Oasis enthusiast took that devotion to criminal heights: Last week, a black-and-white rendering of the band by Russian artist Olga Tsarevska Loma was stolen from off the walls of Manchester’s MASA-UK gallery. Given that MASA-UK is relatively small and Loma’s paintings little-known, it was worth betting that the thief’s motives weren’t so much financial as they were musical. Or, as the BBC reported: “Referencing Oasis songs, PC Katherine Gosling said she was not aware of a ‘master plan’ behind the theft and that ‘some might say’ a fan was responsible,” thus cementing PC Katherine Gosling as a frontrunner in our list of all-time favorite humans. Today, however, the painting was found and the culprit apprehended — identified for now simply as “a 50-year-old man.” So as we head into the weekend, let’s all do so with the strangely heartwarming knowledge that obsessive fandom comes in all walks of life (and perhaps a slight curiosity as to where Blur frontman Damon Albarn’s equally fervent admirers might be). Meanwhile, here’s hoping Gosling & Co. are busy celebrating with a champagne supernova.
“For many years in my life, I always felt like painting was something I wanted to do, but I never got a chance to do it,” begins Snoop Dogg at the opening of a promotional video for his collaboration with Swedish company Happy Socks, due out on November 1. As part of their “Art of Inspiration” series, the company asked the hip hop legend to, in his words, “do my thing with canvas, paint, see what we come up with.” (Note: Yes, this absolutely means high-end socks with pot leaves on them.) Though the collaboration was teased shortly thereafter, today the full video has been released via Dazed in all its just-under-4-minute glory, providing invaluable insights into Snoop’s creative process.
If you happen to follow Mykki Blanco on Twitter or Instagram, then you know that the rapper-cum-performance artist has been on tour for the better part of two years now, breezing through an impressive list of countries in Europe and Southeast Asia — from a particularly controversial stop in Portugal to a gig in Hanoi’s sole hipster bar. And given her* change of handle on both social media sites, you’re probably also aware of “Gay Dog Food,” the Kathleen Hanna–featuring alter ego album set to drop on October 28, which represents, according to Blanco, “where I hope to go creatively and commercially” — i.e., harder, grimier, genre-bending “creative punk.” What you may not yet know, however, is that Blanco will be back in New York City at long last on October 30 to perform as part of fashion house Hood by Air’s first-ever non-runway presentation, hosted by MoMA’s PopRally.
In case you hadn’t heard, musician Neil Young is fond of cars — from his 2009 album “Fork in the Road,” inspired by his retooled Lincoln Continental (or, “Lincvolt”), to his memoir “Special Deluxe: A Memoir of Life & Cars,” the title of which is pretty self-explanatory. Apparently, though, neither music nor the written word was quite sufficient to express the full extent of his affection, so Young took up a paintbrush. Now, Young’s watercolor automobiles set to debut at LA’s Robert Berman Gallery on November 3, marking his first-ever West Coast art show.
John Waters’ performance of “This Filthy World” at the opening weekend of Cincinnati’s FotoFocus Biennial was full of useful information: that “blouse” can be gay male slang for “a feminine top,” that “blossom” is something you never want to Google without your Safe Search on, that what appears to be a shot of Divine’s genitalia in “Female Trouble” is actually a stand-in. But amid the behind-the-scenes stories and Ansel Adams digs was a nugget of wisdom directly applicable to young filmmakers and photographers alike. Waters extolled the virtues of always having a unit photographer — that is, someone on set to take pictures of the filmmaking process — because, as he pointed out, that iconic shot of Divine from “Pink Flamingos,” gun brandished, was never actually in the movie. “You remember the stills,” he said, citing also the “From Here to Eternity” beach scene.