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Zhao Zhao, Ai Weiwei’s Former Assistant, Is Leading China’s Young Generation of Artists

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Born in 1982, Zhao Zhao is one of the artists participating in “ON │OFF: China’s Young Artists in Concept and Practice,” an exhibition that just opened at Beijing’s Ullens Center for Contemporary Art. Zhao is one of China’s most promising young artists and often tackles provocative subjects. A shipment of his work for a scheduled solo exhibition in New York last year was confiscated by Chinese customs authorities before leaving the country. His new work, on view at UCCA, is composed of smaller stone cuts from damaged Buddha sculptures stacked into a perfect cube.

Zhao worked for seven years as an assistant for Ai Weiwei, the well-known artist and outspoken government critic who was imprisoned for 81 days in 2011. Zhao, 31, and Ai, 55, represent two generations of Chinese contemporary artists. While works by Ai’s generation are fetching high prices in today’s art market — and dominating most of the attention given to Chinese contemporary art — Zhao’s generation is quietly catching up. UCCA, a well-respected, not-for-profit art center in Beijing, is giving this young generation due credit by dedicating its first show of 2013 to them.

Having grown up in a very different environment from their parents’ generation, these artists presented some exciting new focuses and approaches in their art practices, and “they are not interested in singular symbols of one reality,” UCCA director Philip Tinari told ARTINFO during a recent video interview.

Watch ARTINFO’s video tour of “ON │OFF” with Tinari here.

— Tom Chen

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  1. Having seen the video. All I can say to it is this….

    Is any of this work new? No, It’s just rehashed stuff that others have done since the 60’s, and in some way the 50’s too. It was boring back then too.

  2. I think the significance with the work of Zhao and Ai is that these artists are pushing boundaries and influencing the people of China in ways that will change the way future China view their world. To appreciate their work one needs to understand the hardships in which these artists have had to strive against to get such artwork to the people. As simple as it may be for the outside world it is really quite an event inside of China to see such artists with such courage to stand up against their democratic government and use art as a form of communication.

  3. wow, i could not put it better than what ALL THE WAY’s comment posted on jan 16, 2012. you are looking at the real bigger picture. on the contrary, Cheech’s comment posted on jan 15th 2013 was focusing on his/her personal preference “boring” to her/him because he/she had seem certain type of art.

  4. woops, sorry about the mistake on the year “2012″ correction: 2013 for ALL THE WAY post.

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